If
I ever had to show my brand new lanky little nephew Diego
Raphael Avila how to finish a fight, my prime example would
be footage of Antonio Rodrigo Nogueira. He is a true superman
of MMA and represents a spirit of positivism, intelligence,
and non-maliciousness. He seems like the type of guy who would
never get into altercations due to ego or lack of self-confidence.
He also seems like the type of MMA athlete who avoids beating
on drunks, unlike a few idiots who are still struggling in
this very tough sport. He is not only a complete well-rounded
fighter, but he also seems like a truly congenial character,
a sincerely nice guy. Of course I'm only speculating, since
I've yet to meet him in person, but my sources confirm a truly
warm genuine man.
After the last round of Pride Critical Countdown, the image,
which constantly flashes into my head, besides Semmy's face,
is Nogueira spinning under and cranking on Heath's neck, as
his face flowered red and his veins bulged big and blue. Heath
eventually tapped, and still looked pretty, unlike his teammate,
although he also got peppered in the stand up. Remember when
you were a kid and got into fights? It was all about making
the other guy give up, and that was enough to prove who was
superior.
Although sometimes, fighting on the concrete carried its own
risk of concussions. Unfortunately a couple of the fights
on this night wound up very ugly. Of course I'm mainly speaking
of Schilt, and I suppose he could have tapped sooner, or his
corner could have saved him, or the referee's discretion.
Anyways my point here is that Kharitonov's choice of a finish
was not the most eloquent one he has displayed so far. I remember
when he finished off LA Giant with a beautiful arm bar in
Osaka. Of course I'm not going to criticize Kharitonov on
his choice of a finish. He is a great well-rounded fighter
who might undoubtedly take out one of the other big boys.
Thus Nogueira
There seems to be a pattern evolving in the Pride Heavy Weight
GP. So far, pound for pound, minute for minute, move by move,
it has consistently been Nogueira who has given the fans world
wide the greatest spectacle. I believe it is because he is
always willing to test his new skills and shows variation
throughout each bout. It is as if the real fight ring is the
only place where he can try out new ideas, moves and skills.
For example, first tormenting Heath with the stand up landing
heavy punches, and then reversing it by finishing with a submission,
which lately has usually come in the second round.
Walk The Line
It seems that Nogueira puts a lot more on the line than Kharitonov
with his heavy frame and punching power, or Fedor and Ogawa
with their quick submission skills. Although he did beef up
a bit since his anorexic first round, he is still the lightest
man standing, and don't forget that he has consistently taken
the biggest risks in post modern MMA, since Royce Gracie.
Every
Nogueira fight is a great fight, and it is extremely rare
that the judges decide. I can only think of two recent instances.
Fedor, and his comeback fight after that, which is his lowest
point to date, and way before that with Heath.
The Build Up
When Nogueira is fighting, one always feels one's own adrenaline
pumping, and he always takes you to the edge of a heart attack.
He is not a fighter for the weak of heart, because he builds
his game slowly. He raises the tension by testing his opponents
in the standing game, especially now with the Cuban rhythms
to accompany the Samba. After maybe taking some punishment,
from giving up positioning while attempting submissions, he
always finishes with a cutting edge move.
The Masters
For people who are not familiar with working the guard it
is truly baffling how this dude works it, because he usually
succeeds with that submission he's been trying to set up throughout.
No one works it like he does, constantly taking chances, giving
up position, and demanding a submission masterfully. The same
way a Sandro Boticelli painting makes every other artist of
his period or any other seem dark and dull, Nogueira is a
true Master in the Art of Submission. Any fighter in the same
show as Nogueira pales a bit. All these dudes are great fighters,
but not every show band rocks as hard as the next. The Who
will always kick the Grateful Dead's ass even in the grave.
Fedor's Problem – Pounding It
Emelianenko actually has no problems, he's just finishing
too fast for us fans. Where is the build up, the intrigue?
Although In the last couple fights he did get pounded around
a bit first. Besides Randleman pounding him in the ring "Rampage
Style" Fedor only got pounded in a car accident weeks
before the fight, the same day Kevin's father passed away.
These boys were also pounding the vodka down together in Roppongi,
and the results were the same as in the ring. Fedor, you have
to keep the spectacle going longer, you are way above everyone,
except maybe you know whom; although you did beat him in a
decision once upon a time.
Fedor as always achieved his lightning fast submission, after
Randleman attempted the second KO slam of the night, while
Kharitonov painted a different and grim portrait, it's a good
thing no elbows are allowed. This Russian showed tremendous
power and balance as he mounted Semmy up high, and showed
that he had the mind to reverse the initial danger the Dutch
tower brought on.
Prime Example
The bottom line is that Nogueira is a great contrast and
relief in his own aesthetic pursuit of MMA. Of course if a
fight lasts longer, it doesn't necessarily add up to better.
Take any meandering drug induced Dead Jam, and contrast that
to My Generation, basically a two chord two minutes plus gem.
So Fedor and Ogawa should be admired perhaps for the quick
finish, but Nogueira is a surrealistic suspended upside down
superman, defying every conventional notion of the fight.
He is a John Coltrane, sophisticated and improvisational,
able to adapt to any situation. He is a lesson for every judge
who is making a decision in any MMA event in the United States
and everywhere else.

Forget The Missionary View
I'm tired of the repeatedly inconsistent and uneducated decision-making
so many events seem to be marred with. Who cares if the powerful
wrestler had control from the top, what if he didn't do a
damned thing? Maybe some day they will have these fights without
gravity, in a circular globe where the fighters could move
within in a 360 degree radius. No corners, no nothing, just
space to fight in. Somehow, I think I would put all my bets
on this lanky Brazilian, who flies upside down on his back
like an anti-superman, always looking up.
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